Emily’s Bell

It was a year or so ago that I, Kenneth Kilmer, bought the small farm from the estate of Henry Stoughton. There was a ramshackle shed on the property, overtaken and brought down by bramble, the boards in the drywall rotting up from the ground, producing gaps large enough for rodents to enter. Abandoned acorn caps covered a work table with a vise clamped to its front edge, along with mouse droppings, and the remnants of cracked hickory shells from the ghosts of children who worked that vise long ago. Despair emanated from the very wood of its walls, as indelible as the faint smell of alcohol that permeated the place. Death was close here, too, and time ticked loudly onward with one’s own heartbeat, raising panic in the souls of those who lingered too long inside, which was why none of the locals had bought the property. On his last day, Henry Stoughton rose from his deathbed, they said, and being a farmer, a man who lived in the free air, struggled to escape his confines and will himself outside to draw his last breath in the open. But he did not collapse upon the ground, eyes focused permanently toward the sky, the story went, he staggered to the shed and passed there with his demons, discovered later by one of his nephews.

And there must have been some two-bit fair ground or carnival park in the back fields. There was the ruin of a train engine, not a toy thing exactly, but the damnedest thing—as big as a small horse—rusted into its tracks. These tracks, which I only discovered by stumbling over them, serpentined throughout the far pasture; the ties now sunk under the soil, the rails almost level with the ground, and most of it obscured by clumps of weeds from which white cabbage moths emerged, fluttering and bubbling above their tufted grass cauldrons. Impossible to mow, and it would be hell trying to remove it. Not to mention the cost. That’s why I agreed to let Stoughton’s niece board her horse here. She contacted me not long after I bought the place. I had no wish for such an arrangement with some animal rescuer, but she seemed a quiet enough gal, no ranter. The fee would pay for removing the last of her uncle from these fields. My fields now, my land. I was itchy for it all to be done, but pulling out its last clutches hurt some part of my mind. Whatever happened here remained palpable. What was this history that refused to let go of its grasp on the place? People said it was spooked. My mind looped back constantly in curiosity to its provenance. Had there been a happy man here, once? I closed my eyes and opened them, imagining I was Henry Stoughton waking up—young, death not yet knocking, the train still running, at the very start, at the beginning.

But it was beyond the end of the start, and at a new beginning. The date was set for the girl to bring her horse, and I stepped out to the front stoop that day when I heard her van turn into the driveway.

But it was a car that pulled in. I was waiting for a trailer and a horse, and the lone car confused me. A young woman got out and silently approached me.

“Where’s the horse?”

She froze for a second, her eyes strangely looking off to the side.” Then without moving her head, she turned her gaze on me and whispered, “Excuse me?”

“The horse. Where’s the horse?”

“I’m Emily _______,” she said, swallowing her last name so I had no idea what it was. “My father used to bring me here so I could ride Mr. Stoughton’s train when I was little. I don’t know anything about a horse, sorry. I knew the place had sold and was hoping to . . .. I drove here today, just to drive past.” I could see the memories, the shadows of fast-moving clouds, glide across her face. “Happy times,” she said in a normal voice.

“Yeah. I was expecting someone else, that’s all. Have a look ‘round if you want, if you don’t mind ruining your shoes.” The two of us walked out into the back fields and stopped at the fence surrounding the back pasture. “So, what was all this?”

“It wasn’t anything official or anything like that. Mr. Stoughton took kids around the field on his train. Any kid that showed up. And he had horses. But it was more than that. It’s hard to explain. When you were riding the train, you were free of your demons.” I didn’t know what to say to this, so I said nothing. She leaned on the railings and stared across the field at the engine, a jarring black-brown blotch amidst the yellow-green grass. So still and bleak it was hard to believe it was always inanimate, so steadily did it now emanate its mortality. I think Emily-whatever was sorry she’d come back. A blot on those memory clouds.

“Seems so small now; not like I remember. They shouldn’t have let it go like this.”

“Well, a gal is coming today, any minute, to board her horse here. It was her uncle’s train. The rent for that pasture will pay to have it junked and the tracks removed—it’s a hazard now. It’s time. One of those Lipizzaner horses like in the movie; they stand on their hind legs and stuff. Anyway, all the way from Yugoslavia.” I paused; I didn’t know the full story. “They were starving them there.”

“Yugoslavia doesn’t exist anymore.”

“Bosnia, whatever.”

* * *

And, indeed, at this moment, a horse van carrying Tulipan Caprice, one of the stallions recovered from the raid on the Lipik stables in Croatia, was being driven by Henry Stoughton’s niece through the pines up VT100-N on their way to the Kilmer farm. Miraculously, she had found a music station on the radio up here in the mountains, but it was beginning to fade. “This is Enesa’s favorite song,” she said over her shoulder to Caprice, whose head was visible through a window behind the driver’s seat. He made no comment. “I know you love this song, Enesa,” she continued, addressing the empty air. ‘Even though you seldom actually listen to it, because it makes you feel too much. You always put it on mute.” Neither did Enesa answer her, because Enesa Marić was dead. Murdered in her home in Bosnia Herzegovina. Burst in upon and attacked in her bedroom while she was spinning her dreams for her golden future. This was the hard truth, but Caprice’s driver that day could not accept it, and so it did not stop her from carrying ongoing conversations with the absent girl. That was what was left for her: communicating with her ghosts, both living and dead, and she took comfort in the lucidity of it. Her friend Richard, she knew, would sneer at her, but she would sneer right back. ‘You reduce everything to physics and philosophy,’ she would tell him. ‘You’re all calibration and cant.’

* * *

“Well, thank you, thanks very much for your time.” Emily turned to head back to her car, then stopped. “Could I take a little something back with me?” she asked.

“Like what?”

“I don’t know, maybe a piece of the field?” I looked at her. “Okay, well, maybe part of the train? The bell? I didn’t speak as a child, but I rang that bell. I sure as hell rang that bell.”

I trotted back to the house and came out with a screwdriver and a hammer. As I thought, the screws were rusted solid and would not turn, but using the screwdriver as a chisel, I was able to knock the bell off its mount. I handed it to her, and she held it up aside her head and shook it, but the clapper was gone. “Why didn’t you speak?”

She lowered her hand and rested the bell against her chest. “Thanks, Mr. Kilmer.”

As we were walking back past the shed, the van I had been waiting for turned and lurched into the driveway. It rumbled in place until the engine was shut off. Stoughton’s niece jumped down from the cab, and came forward to shake my hand. She was skinny and tired-looking, and her right forearm was enclosed in some kind of brace with an abundance of Velcro. She went to the back of the trailer and proceeded to open a number of locks, making loud clicking and slamming noises, lowering the ramp, and emerged leading the massive Lipizzaner. The horse looked huge, the girl small beside him. Snorting and shaking its head, she led him around to the two of us.

“Here he is: he’s called Tulipan Caprice, after one of the studs of the Lipik line.”

“Tupelo Caprice—fancy—like a race horse, eh? Not Smokey or Sport or something.”

“Tulipan, not Tupelo,” she corrected me. “We usually just call him Momo.” This was said without a trace of either irritation or patience. I don’t know what happened to her there in Bosnia, but obviously, she carried it with her, and she gave the impression of living now merely to put one foot in front of the other.

I opened the gate for her and we went into the pasture where Emily and I had been standing. I introduced Emily merely as ‘Emily,’ what else could I do? The two women after a moment seemed to recognize something in the other.

“You’re not the little girl whose father used to bring you to ride the train, are you?”

“Yes, that was me. The one who never spoke. Mr. Kilmer has been kind enough to let me have a last look. I heard your uncle had passed, and I just wanted to see the place one more time.” She paused. “It has haunted me.”

A small smile of understanding passed between them that emboldened a need for confession. “I’m so sorry about your uncle. He was always kind to me; though he seemed kind of sad.” Emily switched her bell to her other hand and made an up and down motion with her fingertips over her chest, “Like the tears ran down inside him. I never said anything then, but I used to imagine him crying, but the tears would run down inside him, so no one knew about them. Like my words.”

“My uncle was unlucky in love. He was in love with a girl, a quicksilver woman weighted down by her child. She lost her son, and then my uncle lost her. Well . . . haven’t we all loved and lost? I have. People here and gone, and now this train soon to be history.” She narrowed her eyes as she stared across the fence at the train and her horse nodded his head up and down and pranced in place lifting one hoof, then the other. “I’ve seen so many things. Why these destructive forces we can’t seem to conquer haven’t wiped us out by now is a mystery to me. The power of them sweeping across the centuries unabated surely should have done us in by now. How can we still be here and not have turned into some gigantic wasteland? Everything beautiful gone extinct. Extinct like the rhinos.”

“The rhinos aren’t extinct.”

“No, no they’re not. Not yet anyway,” she had to admit. “My uncle had a great love, one of the great loves, I like to think, like a force of nature, an undying truth. That’s what won’t let go here.” She kicked up dirt with her boot, unconsciously mimicking the pawing of her horse. “It’s a battle.”

“Yeah, sure it is.” She paused, thinking back. “But one with survivors,” Emily said, again holding her souvenir up next to her head and ringing the soundless bell. “Like me.” Standing back from them a little with folded arms, I smiled at her and dipped my head in a fleeting nod of acknowledgement. “And him,” Emily continued, gesturing at the giant horse now struggling against the hold on his reins and jerking Stoughton’s niece forward and back. Those clouds of emotion reappeared, rushing across her face this time, and she let him loose; he lunged into the open field as I stepped up to stand between the two girls. And through a quality of white light found only in the mountains of New England, and—they tell me—Italy, Tulipan Caprice cantered in the free air as the three of us watched him, each strike of his hoof sounding out the pasture’s soil.

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Taking Liberties

Can love survive death? On its fading to the quiet and the still. Stubbornness its only attribute; its will wounded, but not broken. A silent lake, surface dull, no rushing of wind or agitation of flocks, no echo or reflection. Yet it holds ground.

Taciturn by nature, Nazer Marić had gone silent after the deaths of his parents and sister. At least to those around him. He had never spoken much to me, and I felt he blamed me more than Richard or Louis for what had happened. Evil could just not pass through carelessly like that, wrecking utter devastation, destroying his life, without accountability. He used his biases to throw off a fraction of his bottomless rage at the horrible fate he couldn’t escape onto me—female, foreign, bent on corrupting Enesa. As for me, I had as much insight into his humanity as I had knowledge of the spiritual makeup of the fir trees outside, and no interest in acquiring any, stung by his contempt, and made cautious by the possibility of provoking a not so latent violence.

This was many weeks before the operation into Novi Sad, where the horses were now stabled. Nazer would not, could not accompany us, obviously; a mere ghost without asylum outside his rubble prison, but he was essential in the planning. He hunched over maps of the area surrounding Novi Sad, speaking into a hand-held tape recorder. I later learned he was telling his own story, then walking the talk—pacing the village streets, leaving fully recorded microcassettes to be found long after the tourists and dabblers had left town, and long after his death; some wedged in the crevices of balustrades arching over the village stream, others jammed between the cover and stitched binding of library books, a story within a story; not to be discovered by the sweeping forces of destruction, but by future forensic scavengers and through the serendipity of survivors.

Three others had joined our little band at this point: two German girls under cover as translators, who were, indeed, multilingual—and Olympic-level dressagers. The third person was an older man, a local, who was always about, it seemed; who talked mainly to Louis and who stared at me constantly until it was all I could do not to yell “What? What?” To myself, I called him “One-eyed Jack”—not because both of his eyes didn’t function simultaneously, but because I thought of him as a periscope, silently rising out of the floorboards, swiveling left and right, an entity always spying, identity concealed. He watched me watch Nazer. And I did study Nazer. I could see nothing of his sister in him. Nazer remained aloof, although he at times spoke directly to the two equestrians, which surprised me because, based on my experience, I did not believe Nazer trusted women. “Jack” sensed my puzzlement after one such exchange, and jerking his head in the women’s direction and tapping his forehead, said simply, “Die Pferde—they speak to them,” indicating their possession of a cognizance and a skill level that negated to a sufficient extent, evidently, the anomaly of their gender.

Our cover was set up thusly: I was not told explicitly how the others would arrive, but Richard, Louis, and I would travel to nearby Vitez, where UN operations were based, and where a portion of the Cheshire Regiment of the British Army was deployed. Then we would return with a convoy back to Split, Croatia, where, serendipitously, the British maintained a headquarters and logistics base, and lastly, join a C-141 transport flight to Brize Norton and make our way to London, location of the home office of Medicine Nonsectarian and our little offshoot operation as well. Our traveling with the troops was not officially approved, of course, but rather carried out without request, as there was a great love of horses among the command. A few days were to be spent in London, then we would fly back into Belgrade on a commercial flight with clean passports.

The grandfather of a doctor in Medicine Nonsectarian had recently died leaving a house situated not too far from Novi Sad, and Richard was returning as his grandson to close the estate. I was his fiancée, a position which allowed me to speak only English and a little German without suspicion. The others, when they arrived or appeared, assumed their role in a motley cast of characters: ne’er-do-well cousin (Louis), new-found acquaintances, and snow bunnies who had lingered past the season. Once settled, the word discreetly went out from the old Jovanović house that let it be known there were those in the grandson’s party who would not turn their nose up at the prospect of buying a few show horses on the black market—the rumor being the Lipik Lipizzaners were somewhere close by—one cousin acting as agent for some unnamed businessman. All of us kept a low profile, except Louis who made a show as a gambler, and in the service of veracity, once allowed himself to be rolled.

At first, I felt this was a different danger than what we experienced in Travnik, much more Secret Agent Man, but this wore off after a few days, and it settled into the familiar bleak wariness of everything and everybody. The questions constantly asked before in Bosnia were ‘Who are you?’ Compatriot or enemy? How do I know? Blue berets and white armored vehicles notwithstanding, in the absence of international political will, even humanitarian aid was suspect, and we were chimeras within a chimera. It made for uncertain footing. It was impossible not to end up at some point on the wrong side, in the wrong place; here everyone was a combatant, as Louis would say. After a while, it almost didn’t even matter, as the human chain kept splitting into smaller and smaller links until you trusted only yourself, and even then, your most secret thoughts were not invariably reliable. Smaller and smaller links no longer meshing together for any semblance of strength. Anyone with a grievance, anyone who believes righteousness is solely on his side, her side is a danger, again according to Louis. Pick your team; have your team picked for you. I hated this self-certitude; even as I had voluntarily placed myself in the middle of a stewing mass of it; it always ended up like this; it made everything a living hell.

* * *

So, sure enough, Louis was eventually taken around to where the horses were stabled. With this knowledge in hand, Richard and I took an evening spin a few days later and found ourselves near the identified farmstead. We parked our rental car on the side of the road and got out to look at the stars, as the affianced do. Or was it to calculate the distance from farmhouse to paddock, from paddock to stable, from stable to road? As twilight settled down over us, cloaking the landscape in deep blue and soft violet, a momentary sense of peace was offered, but any hope of Richard opening up and saying something off-message was snatched away by the sight of a dark shape bobbing on the road, headed our way. Slowly the mass defined itself as some guy slowly approaching, rifle slung casually over his back. It never was just some guy, though, was it? Although we could not name the exact nature of it, both of us could sense the menace. A guard? The police, some militia irregular? A common thug? Surely someone looking for payback for his grievances. Why didn’t anyone wear uniforms in this goddamn forsaken place?

“Don’t fight me,” Richard said, scaring me even more, if possible. He put a hand on each side of my shirt (my favorite shirt) and ripped off the top button. He took a flask out of his back pocket and poured a good bit of its contents down my throat, some of it spilling out of my mouth, running down over my exposed skin. He took several slugs himself, then crushed himself against me, pushing my back into the backseat door handle. It was as if I had been sucked up into the center of a tornado, and I tried to focus over Richard’s shoulder at the trees plastered against the night as he whispered in my ear, “Don’t look him in the eyes; don’t talk.” His mouth covered mine and he only released me as the unknown approached.

The man walked up to us, swung around his assault rifle, and grasping it in both hands, cocked it at Richard’s head. Somehow Richard appeared unfazed. He was cognizant enough to have grabbed his passport and wallet and now waved them in front of the man. “Hey, hey, American! American!” he chided our assailant, seemingly confident through a haze of liquor that this was a simple misunderstanding. The guard (or whoever) looked at his passport, threw it back to him, squatted down to pick up his wallet that had fallen to the ground, pulled out the wad of cash, and tossed it back empty.

“Wha . . . wha . . .”

Ignoring Richard’s protests, he pushed Richard away, then a look came over his face when he realized that was not all that was on free offer. “Your sister, yeah?” He pulled me toward him and my mind went blank with terror.

My constant fear back in Travnik, or wherever we traveled in central Bosnia, was that I would be caught in a shelling attack or felled from afar by some unseen agent. These thoughts were so present in my mind that I had accepted it as my fate and was merely operating stoically until that time; it was somewhat comforting in that it gave a sheen of imagined nobleness to my faffing about and provided some faux sense of progression amidst the chaos. To be presented with a violence so close in my face in the form of this man—a violence of such a corporal, sexual nature no less—was such an unconsidered way of going that it brought the liquor that had gone so fast down my stomach back up just as quickly, and I threw up on the ground, a good bit splashing onto the boots of my accoster, seemingly squelching his rank ardor. Deciding to cut his losses, he grabbed the slopped brandy flask, thought better of it, threw it through the open window of the car, ruining the backseat, then put Richard’s cash in the inner pocket of his jacket.

“You take your fuckin’ somewhere else from now on. I see you here again, you dead, and your sister be passed around like krofne.” Again pushing Richard hard in the back with the butt of his Zastava, he shoved us out of his way and left with his currency. Thank god for his fastidiousness; it seemed almost preposterous that he hadn’t killed us. What idiots we were.

When I came to after passing out in the stinking car on our drive back, it was two in the afternoon, and I had to sit in the living room back at the grandfather’s house amid the packing crates and try to sip down coffee that tasted like weeds and thank Richard for mauling me, for taking liberties and saving my life, and I had to thank chance and serendipity for not being served up to satisfy unchecked perversion, and I never had a lower sense of self-worth that I could remember.

After washing up in the old bathroom, the water so hard and polluted, it left an iron stench that cut through every sensation; after squeezing out the last of the old antiseptic in its rolled-up tube to smear on the scratches that covered my neck and arms like lace; I went out to the back garden of shrubbery, the flowering white mounds silently emanating their scent under the lowering sky, and pushing my hands deep into their innards, through the many twigs and thorns, producing new self-inflicted wounds to mingle with the others, I grabbed hold of the branches, holding onto as if to a life-preserver, holding on for dear life, trying to steady myself, save myself, staring at the beauty of the blooms, straight into them, willing myself to feel nothing else but the sensation each individual petal projected until, finally, I could regain my bearings. And I stood there shaking until it became dark, just one lost soul and these branches of beauty in an atrocious world.

The Water Is So Wide

Before we moved up north, my memories of summers past were mid-Atlantic: sugared candied orange and lime, and ice pop grape; softly rounded and coconut lotion-infused. We bought our roasted nuts in white paper bags; we stained our sneakers a winey burgundy from picking mulberries in the lane. Now once again up north, out on the porch this bright New England summer morning, it was all black kelpy stench and saline breezes. As happens when you’re unmoored from your foundation and set adrift, sensations are heightened and become everything. Jay was back from Europe and we were spending a long weekend at my mother’s summer rental on the Connecticut coastline. You could travel the extremes simply by opening the screen door and sticking your head back in the cool restfulness of the shadowed house, the smell of browned butter from the earlier pancakes, eaten with cherry jam and powdered sugar while half-naked from just getting out of bed, still permeating the premises. Outside, the sand and salt could scrub you raw.

“Do you want more coffee? We should start thinking about heading out in an hour or so.”

“Okay,” Jay said, staring out to sea.

I reflected on the unfamiliar maleness of him sitting there: the large foot up on the railing, flat and broad, so different from the curvy arch and polished seashell toes of mine; the bare chest, the loose boxers with their white folds and gaps. The pistons driving to succeed or crash. I was chagrined at having gotten used to the proximity of it after being so long unaccustomed only to lose it again. This was the furthest point we would go in our relationship. Now we would turn and go our separate ways.

Why had we come together yet again, this time, I wondered. How many women had he had by now, as his fame grew? How many groupies, how many models/actresses, by definition the seemingly inevitable choice to showcase achievement; beauties who floated like oil above the mere waters of ordinary womanhood. But my irritation was not with them, or Jay, only with me. The gap in question here was not quantitative. He had taken the wheel of the race car, driving with skill through reality; I was still playacting in my uncle’s barn. What must he think of me? The time for the van had passed. ‘Get going,’ I’d say to myself with conviction. But I never did. The strangeness I felt with him was a measure of the distance between us in strength of will. And the distance I had traveled away from the realm of my senses.

Did I have all the time left in the world? Were we still talking about forever? So many sailors—pirates, pilgrims—had left these local ports seeking profit or redemption, I thought as I squinted out at the water, the wind whipping my hair about my face. There were always ships at sea, some vessel to be spied on the horizon. My mother had had enough of me, and I of her. I felt unable to move in her presence. I was eager to set sail.

* * *

Back in New York, I found a box of old stuff my mother had set aside in anticipation of my eventual departure. It contained the usual assortment of memorabilia: concert ticket and baseball game stubs, a playbill from my high school production of Camelot with my role as “Second Lady-in-Waiting” duly noted. Another thing in there was an old datebook, and as I flipped through the pages, I stopped on September 18. “Aunt Jean” was inked diagonally across the page. Her birthday. Images of my aunt, reserved and meticulous, sent me into a reverie. Her practicality would cut through the sloppy thinking that shrouded and thickened my mind. A clue might be provided, perhaps a key. ‘That’s what I need,’ I said to myself, ‘more Aunt Jean and less Uncle Henry.’ I hunted around for pen and paper and sat down to write to her.

I wrote asking for advice, and we struck up a long-distance correspondence, as much as was possible with someone a world away, in more ways than one. A stealth campaign was mounted to bypass Mom and coordinate with Jean. There was work to do if I was serious, otherwise I was not to waste her time. Mom caught wind of the shift in loyalties, and chided me every time I went to the Post Office.

“You always go overboard on things. You’re more comfortable with these sad sacks than with people who are actually good at what they do. You string along Jay . . .”

“I don’t string along Jay.”

“Your cats, your shelter dogs, your ragtag—and my sister loves it. She loves it!” Mom threw up her hands at me. “She eggs you on.”

“No she doesn’t.”

“Like hell she doesn’t. You two are like the Bremen musicians! The second coming! All you need is the donkey.”

There were four Bremen musicians, Mom. Four damn musicians. I had to get out. At one time, my mother surely was capable of higher feelings; I’m not sure what caused her to lock them away. Disappointment is a rougher pill to swallow than most will acknowledge. They say we have a vestigial tail in our bodies; I could only hope she had vestigial grace in her soul.

Months passed, and just after I had given up and was beginning to take these jabs to heart, my endurance all but gone, an aerogramme arrived from Croatia from my aunt with the name of a small organization that was working there, ostensibly with the UN humanitarian relief mission, skirting its association with Medicine Nonsectarian. Its mission was to find and rescue the Lipizzaner horses that had been kidnapped from the Lipik stables. She could not meet me, but could make the necessary referrals, and could arrange to have someone pick me up at the Zagreb airport and take me to where I needed to go. She said to think long and hard about this; although there were numerous organizations and press on the ground, it was dangerous—she knew of at least one fatal shooting of an aid worker. Once there, returning was not an easy given, and this was not a solution to boredom or an alternative to shopping. She couldn’t stop herself from including that dig. Must be in the DNA. I refolded her letter and sat with head down in silence, slapping the flimsy paper again and again against my palm before whispering to no one in particular, “Full sail.”

Before My Skin Was Broken

The lost become ghosts

The dog was going to bite me. How many times did Richard say, ‘Make friends with the dog. Make friends.’ I was skeptical of the whole arrangement, and the fact that I was given a gun—a thing I was still deathly afraid of—a gun with a silencer, no less, just proved my point. Every night for a week or so we were to sneak over to the paddock and stable where the Lipizzaners were kept and feed cooked chicken to the so-called watchdog, gaining his trust, so on the night we took them he would not bark. If he did, I was to stop him. Richard and company would get the horses and lead them out, each rustler assigned to take two horses at a time—we weren’t sure exactly how many there were now—placing bandanas over the great beasts’ eyes, encouraging them forward with soft, loverlike murmurs, and steering them out to the waiting trailers. Two other men would load up a pickup truck with bedding and feed, and leave last, after sweeping away the evidence of our trespass, both human and equine.

And then somewhere along the line a gun was introduced. Although the preferred currency hereabouts, it all seemed preposterous to me. We never started with the idea of a gun. We just started with an idea. And now here I was standing in the kitchen with a gun and a silencer in my hand. I affected an Emma Peel-like stance in front of the curtainless window when Richard handed it to me that night, the foreignness in my hand glimmering in the dark reflection, but the desired effect was not translatable and my sarcasm eluded Richard. Could we pull it off? Could I? My gaze locked on the mirror-like window: passing chimera shapes shifted and phased in and out: Port Authority attacker, Frieda, Howie. Welcome to the NFL. Slowly Enesa appeared, the final apparition there. ‘I am not brave,’ her wavering form warbled, the sound coming to me from a great distance away. ‘I am not brave . . .’ Her voice summoned me back to her village; I stood once again in the middle of the smoldering Marić’s house as if at the gates of hell—the smell, the poison taste in the mouth—and I knew I could do what was necessary. I could. The lost become ghosts who egg you on unseen. And the air was thick with ghosts and weeds, and my mind was full of rocks and my heart was filled with rubble. I would press the pistol against the hound’s head, if need be, and pull the trigger.

* * *

So, we started the first night just approaching the stables. The dog stood up on our approach; he was secured to a lean-to shed with an overhanging roof as his shelter; when he started growling, we threw the food on the ground and retreated. Turning round, we could see him at the limit of his chain eating the chicken. I decided on the spot to call him “Ernie.” Would his owners notice this extracurricular repast on his breath? We did this for several nights, each time getting closer, until I could stand next to Ernie while the others went in and out of the stables to accustom him as well as the stallions and mares to our presence, the dark house reassuringly far off in the distance. The night of the actual seizure, so painstakingly plotted, we took too long, and Ernie began to growl; I fed him almost everything I had. The horses were coming out two by two, but too slowly. Ernie grew increasingly restless. “C’mon, boy. Good boy. Good Ernie,” I whispered. A rivulet of sweat from under my arm trickled down my side, and Ernie sensed my fear. I plopped down the remaining cache of food, but the horses were skittish and we were not keeping to schedule; every extra minute of delay put us and them in greater jeopardy. “That’s a boy. Yes, such a good boy. Good boy!” The food was gone. Ernie began to bark.

“Shut him up,” Richard hissed at me over his shoulder as he steered past with two mares. “Stop him.”

Ernie barked louder and louder, unsettling the horses, growling, lunging at me, and I retreated beyond the range of his chain. He barked even louder, suddenly a master defender, brooking no surrender. In the end, despite my earlier bravura, I could not kill the agitated Ernie. Panicking, I turned back at him. He leapt up at me and I whacked him on the head as hard as I could with my pistol butt in a cruel and stupid attempt to render him unconscious and thus silent. Of course, this did not silence him; it only injured him and caused him to commence an unearthly howling and yodeling that would wake the dead. After a minute, lights came on in the not-so-far-away farmhouse and you could hear doors slamming and the caretakers streamed out to see what the hell was going on. Most of the horses had already gone ahead, there were just four more: three held by one of the girls; the other, the prized stallion, Tulipan Sava, who was not cooperating, shaking his head, dancing in place then rearing up, finally biting at his handler.

Richard ran back and sent the other two on, ordering them to get going, to get the hell out, and grabbed Tulipan and the other’s leads, motioning me over to the pickup truck where Eben, who had drawn the straw as driver, sat waiting to take off. Richard told me to put the tailgate down and pull out the ramp; he pressed the leads of the three other horses into my palm and grabbed the gun, an awkward exchange, then took Tuli around and around in circles and finally got him up on the back of the truck, but there was no time left, and he pulled me up onto the flatbed while he tried the control the agitated stallion. Eben started the engine. His partner ran past us, wire broom in hand. Throwing it on the ground, he jumped into the cab and slammed the door. “Let’s go!” Richard yelled out at Eben, and the truck slowly started with me holding the reins of the three mares trotting uneasily along behind, a reverse Apollo with his chariot riding backwards into the night. A man appeared out of this darkness and started to run toward the truck.

“Go, go, go!” I yelled, but the three mares would not cooperate, forming a bumping, dragging, pulling mass of glowing white in the blackness, and we could only go so fast for fear of one of them stumbling, plus Tulipan shifting around in the back. Our pursuer was advancing, yelling over his shoulder to two other men who veered off into the woods behind him. He stopped and launched the hatchet he had been running with at the truck in an attempt to blow out the back tire, but his weapon fell short and speared the ground, rudely sticking out of the earth like a broken branch after a storm. He charged toward it and wrenched it out and resumed his pursuit of us and our cargo. I didn’t think he could catch us, but with the horses struggling this way and that, straining so hard against their leads that I was bent over at a ninety-degree angle—leaning halfway out of the truck, my arms fully extended—we were too slow, and he was gaining on us.

“Brace, brace, brace. Hold on. Don’t let go,” I could hear Richard yelling from somewhere.

The man was now along side the truck. He threw himself onto the wheel and was able to hold on. I looked into his face. ‘The devil!’ I thought. Richard could not get at him because if he let go of the bridle, Tulipan would have jumped out of the truck. Holding on to the side with one hand, our assailant tried to chop at the reins of the three mares with his hatchet and cut them loose, but he missed, and his weapon hit the top of the tailgate with a horrible din of metal upon metal. Over and over he did this as I screamed, furiously shaking my head, blinded by my hair stuck in my eyes. Spewing hatred at me, he took a big, wretched, wild hack with his hatchet, eerily similar to what I had done with my pistol to Ernie. I ducked, dropping down on my haunches, trying to avoid his blow; the truck swerved severely, and his blade landed on Tulipan’s flank. He whinnied and reared up almost throwing Richard out of the lurching vehicle, Eben frantically twisting the steering wheel to the right then to the left, trying to throw the demon off, but he was stuck to the fender like a tick. He raised his arm and took another desperate swing with his axe; this time it landed squarely across my forearm, splitting the skin open down to the bone. I screamed bloody murder and let go of the leads, just as Richard shot him in the face and he slid off out of sight. The three mares peeled away from the retreating truck, one to the left; one to the right. The middle mare stood still for a moment; realizing her freedom, she shook her head, bobbing it up and down, pranced in a pirouette, turned and headed back in the direction of the stables. I lost them: they retreated away into the darkness, further and further outward with each peal of an internal tolling bell, like the white ghosts they had become, getting smaller and smaller. I lost them. All ghosts now. All ghosts. My eyes locked on the starless sky; I began to shiver violently.

It always bothered me that I had lost the other one of my two bras. So I wore the lace one continually, and it had turned grey instead of white, unable to be cleaned properly. The padding over the hook and eyes in the back had worn and frayed so that they constantly dug into my back, but I was loath to take it off. No surrender of my amour, I liked to think. Your skin has an integrity not normally breached, but when it is, not with a small bruise or with the rubbing of hooks and eyes, but a wholesale breach, with a terrifying wound, the terror itself is the paralyzing thing. A fear apart from the pain that feeds upon itself. You don’t know how it will end, but you know you’re going beyond where you’ve ever been before.

I had fallen backwards into the hay bales; there was a rusty, metallic smell from the blood—mine and Tulipan Sava’s—mixing together with the chaff to form some kind of apocalyptic mortar. The truck rattled off into the night, picking up speed, and the white ghost creatures I had unwittingly released floated up to become clouds in the troubled sky. I thought I would be trampled by Tulipan’s hooves as he whinnied and stumbled about with each jerking, swerving change in direction, and it became a jumble of hooves and blood and neighing and clouds and the bumping of the truck over the uneven road that caused Tuli to tread against me even more, and those white figures peeling off into the night—those ghost horses flying up into the night—and the clouds and a bullet through the devil’s eye, and the blood and the pain and someone yelling at me and the stamping hooves and it all went black.

Nocturne

nocturne (2)

Since leaving Travnik and Enesa, I was troubled by phantoms, flies my especial tormentors. I felt them settle on me as I tried to sleep; I sensed their movement on the periphery of my vision. When her Uncle Dekek brought out a bottle of plum brandy to offer his hospitality, an abandoned wing floated round and round on the surface of the pale ginger-colored liquid. No one else seemed to notice. I said nothing as the living drank their toast to the dead, but I could taste it.

After our adventures in Novi Sad, after the boxcar journey, the hatchet blows and the death of Tulipan Sava; after the fiascos and Louis’ heroics, Richard and I visited Dekek Marić’s home in Tuzla as we made our way out of his country for good. We stopped to pay our respects, not the smartest move, but I think the family appreciated it. The slightest of gestures, the smallest, just a speck. Dekek Marić loved his brother, adored his niece, and at one point during our conversation, he buried his head in his hands and wept. I turned my head and looked out the window, pulling aimlessly on the brace that still encircled my right forearm; spring was pushing upward, coming back, no matter the judgments passed on the human race. I was suffused with an unspecified guilt, and did not have it in me to comfort him.

The sun set, and we were prevailed upon to stay for dinner and spend the night; it was too dangerous to move around after dark. In the overheated living room, Uncle Dekek insisted as well on playing the piano for us; it was all too much to suffer through. He wanted us to hear Enesa and her father’s favorite pieces. He wanted to give us something of them. The roaring fire, unnecessary in this mild weather, the aftereffects of the suspect Rakia, fatigue, dehydration, combined with the torturing of Chopin, produced at once a lethargy of body and a nervousness of mind, the anxiety escalating with each pump of the piano pedal until I thought I would succumb, give in to the panic, and run out of the room screaming, the notes taking wing and swarming after me. Finally, we were released from his tribute and allowed to retire.

I couldn’t remember putting my head down on the pillow, but woke up in middle of the night to drifts of Chopin ebbing in and out of my consciousness. I sat up and with difficulty pulled the heavy quilt off me. Three o’clock in the morning and the man was still at it? How could such a thing be possible? I got out of bed and opened the door to investigate. I found myself not in the hallway I had stumbled through on my way to bed a few hours ago, but in the smoky, rubbled passageway outside Enesa’s old bedroom, yellow light streaming through her open door and the strains of nocturnes ruffling the air. I stood there as I had done what seemed a thousand years ago, but this time there was no hesitation. Grasping the door jamb with both hands, I closed my eyes, leaned in, then opened them.

There was Uncle Dekek, playing in the corner, but playing not as before, playing beautifully, his back to me, a dark-suited figure hunched over the keys like a crow. Enesa still at her desk. Her dirt farmer stood next to her slumped body. He lifted her out of her chair and took her in his arms. She was roused by his touch and he placed her lightly on her feet; she walked around behind him, running her hand over his shoulders. She faced him, and pressed her hand against his cheek. They danced together, swaying back and forth, Enesa never breaking her gaze into her lover’s eyes, her arms round his sunburned neck. Dancing unconstrained, sweet and free.

She left his embrace and glided out to the hallway and turned to look at me. I reached out a hand for her, but she shook her head and smiled at me, turned and ran into the darkness. The dead are never truly gone until they return, one last time, to tell us that it is all right, to force acceptance. I turned back to look into the room again—it was empty now, the setting sun, glaring through the window brighter and brighter and brighter, as it did the day of her death, until I opened my eyes, the brightness giving way to the whiteness of the ceiling above my head. All was silent except the twittering of birds in the early morning distance. A tear left the corner of my eye and ran down my cheek to fall into my ear, tickling it. I blotted my face on the lace of the pillow, looking toward my bedroom door. Heavy footsteps sounded on the stairs, then knocking on the door. Time to get up. Time to go . . . somehow. To Budapest. Then home.

Star Gazer

bosnia scan

My warm and dreamy reflections on my lover are broken by the clicking and clanging of fork and spoon against dish and bowl, as in the other room my family scrape away at the last of the always too little food.

“Very dramatic, Enesa,” I said flipping the diary shut.

“It’s just the way I write,” she shrugged her shoulders. “Someday I’ll write a movie about me, about my life. Evan will star in it.”

“Well, he’s a singer, not an actor, though if you’re famous enough, they’ll let you do anything, I suppose. It’s annoying. Actors singers, singers actors. Do what you’re supposed to do, I say.”

“I’m sure Evan can do whatever he puts his mind to.” Here Enesa flicked her hair out of her eyes with her fingers, a slight look of annoyance passing across her face.

Enesa Marić was a fifteen-year-old girl living in a small village between Jajce and Travnik, Bosnia Herzegovina. Enesa Marić was a lover of language and music, and Enesa had been in love for years, it seemed, with the singer/songwriter, Evan Dorenberg. When she found out I had been at some of the same festivals with him when Jay and I were together, she grilled me for every last tidbit of information. I told her many times I had only spoken to him once or twice, but for her this didn’t matter. I had been photographed with him, so that was that. For all her self-proclaimed sophistication, her idea of America remained one of a bunch of rich, famous people all shopping at the same stores, all friends, all lovers. She didn’t understand the isolation or the bleakness that engulfed so many there as well as here. Only her world was streaked with grey and splotched with mud; America was all candy and smoke machines.

“Tell me again,” she would say.

So the few time I visited her and her family, I needed to repeat like a mantra, “Evan’s cool. He’s cool when he plays; all the women fall in love with him, and he’s funny.” She always tried to extract more from me than I had, but was ecstatic with what she got.

And then I would explain as well that it wasn’t all it was cracked up to be. I’d tell her everything was bartering, money, commodities. I’d tell her the tale (her mother would banish me if she knew) of Howie yelling, ‘Welcome to the NFL!’ right in my face after a most unromantic grappling session in an Indianapolis hotel room.

“To say such a thing at sexual climax,” she would muse. “I don’t understand American football.”

Her love burned on bright and pure, untarnished by me or any brush with reality. Her brother, however, knew what was going on. He had worked at the Lipik stables for two years before becoming Richard’s contact. Nazer had been there during the shelling and bombing, had seen several stallions felled by the smoke, and barely escaped with his life. Back home now, he was working with us as well as he could without raising too much suspicion as we tracked where the Lipizzaners were being taken; we knew they were in Karadordevo, Serbia, moving northward.

I met Enesa when Nazer invited us to his parent’s home for tea with bread and olives. She had that one photo from some fan publication of Jay and me and Dorenberg and his date, lined up couple to couple, and stared at me until she figured it out and I admitted my past. Her excitement was charming. I stopped by to chat with her when I could, but it was becoming too dangerous. I knew these visits would have to stop. Our cover was not holding, and Richard was sure our movements were being monitored. When their village came under fire, the Marić’s front door would be one of the first to be kicked in. We could have gotten them out of there, somehow—possibly—but they were determined to stay.

Partly to assuage my guilt over befriending this girl, then bolting, I told her that once things were “sorted out” and life returned to normal, maybe I could arrange for her to visit me in the States, and maybe even meet Evan before one of his concerts. Whether or not I had the chits to do this was not clear; I felt I was being generous with things not my own, like taking some pretty thing off someone else’s mantelpiece, and announcing, ‘Here’s a gift from me.’ But it didn’t matter because I knew these promises would not be kept, these dreams would never happen. The cessation of violence, Enesa visiting America, Enesa meeting Evan; it was all pie in the sky.

But I pushed this fantasy along as the road looked bleaker and bleaker. Always the contrarian, Enesa seemed surprisingly hesitant about the whole idea, reluctant even. “Well, don’t you want to meet him?” I asked her one day. She gave me her look.

“It’s not that. It’s like staring at the stars and suddenly shooting up into space, flying through the blackness.” Enesa made a wavy motion with her hand. “So far away, and now close. And you would never want to come down. But you do.” She stopped and looked through her smeary window. “How could you go out the next night and look up at the sky? I am not brave. What if it didn’t happen again? What if it never happened again? Just memories . . .”